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Thread: 2003 Chevy S-10 Pro Audio Blowthrough

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    ~Paw~Paw})]<^>¥ Hic's Avatar
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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    Chad , what was funny ?

    4 people thought 10 KHz was where the snap was.
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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    The only thing I use 10K for when EQing a snare is to get more hi-hat out of it if the console channel-count is too small for a hi-hat channel. 10K is farther up there than most think a boost there in a 2 chanel rig would bring everything else like cymbals and the vocal essing over the top.

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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    I understand Chad , Thank you !

    4 KHz - 12 KHz might give sibilance value over snare snap.
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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    yes it will

    the snare drum is a pretty unique instrument in terms of bandwidth and obviously impulse. I have more recordings of snare hits somewhere than I care to think about. god only knows where, I took them off of a lot of things because them popping up on random play sucks. And test tones, test tones suck on random also.

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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    Indeed they do.

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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    on our last road trip my wife asked me why I don't just hit the random on my iphone and let whatever play, play. All it took was one sine wave to pop up for her to realize that was a bad idea

  7. Back To Top    #27

    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    Itunes -> highlight test tones -> right click -> Get Info -> Options -> Skip when shuffling

    Or just make a playlist of course
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    Big Daddy chad's Avatar
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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    No more apple portable products... I solve it by only keeping test tones, images, and vids (I use them for work) on internal memory and stream all my audio from home /done.

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    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    Pretty slick Chad !
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  10. Back To Top    #30

    Re: 2003 Chevy S-10 Pro Audio Blowthrough

    Here are some measurements I took at the request of Jason Winslow on DIYMA, but I figured Chad and some of the other guys here might be interested in seeing them as well and perhaps have some comments to make.



    As requested: very wide crossovers and no EQ

    Left horn - HPF 500Hz/24dB
    Green - at the horn mouth
    Yellow - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed forward and slightly down from the headrest sweeping left to right



    Right horn - HPF 500Hz / 24dB
    Purple - at the horn mouth
    Yellow - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed forward and slightly down from the headrest sweeping left to right



    Left vs right
    Green - left horn at mouth from previous graph
    Purple - right horn at mouth from previous graph
    Aqua - left horn at listening position (averaged the mic pointing up and mic pointing forward results from previous)
    Blue - right horn at listening position (averaged the mic pointing up and mic pointing forward results from previous)



    Left mid - 56Hz - 10KHz / 24dB
    Orange - mic right in front of speaker
    Green - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed forward and slightly down from the headrest sweeping left to right



    Right mid - 56Hz - 10KHz / 24dB
    Aqua - mic right in front of speaker
    Purple - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed forward and slightly down from the headrest sweeping left to right



    Left vs right
    Orange - left mid at speaker from previous graph
    Aqua - right mid at speaker from previous graph
    Yellow - left mid at listening position (averaged the mic pointing up and mic pointing forward results from previous)
    Blue - right mid at listening position (averaged the mic pointing up and mic pointing forward results from previous)



    Left midbass - 45Hz - 1KHz / 24dB
    Purple - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed backward toward the speaker sweeping left to right



    Right midbass - 45Hz - 1KHz / 24dB
    Yellow - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed backward toward the speaker sweeping left to right



    Left vs right
    Purple - averaged result of both left measurements from previous graph
    Blue - averaged result of both right measurements from previous graph



    Subs - 25Hz / 12dB - 200Hz / 24db
    Orange - at my head, mic pointed up, sweeping from one ear to the other
    Blue - mic pointed backward at the opening between cabin and bed





    All done using calibrated Dayton mic and TrueRTA with 50 averages, 1/24 octave resolution, no smoothing.
    Last edited by Strakele; 09-13-2014 at 09:04 PM.
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