Originally Posted by
preston
Gotta admit I find this amusing....hours spent carefully positioning mids, deep discussion on reflections and staging, phase and time analysis with SMAART to make sure every nuance, detail, and spatial image is maintained. All in the service of blasting Linkin' Park.
Not quite the same as determining if the bassist is right next to the piano player or 5' over, or if Ahmad's high treble piano notes sound quite the perfect tone, or if Coltrane was using an old reed during this performance.